
Secret Things
What makes a choreographer great? This has been the question plaguing the dance world for the last thirty or so years. Is it their feeling for music, the originality of their combinations, the world they create?
Perhaps it lies in a name. On a screen near the back of the stage at the Royal Opera House’s Linbury Theatre last Thursday was projected, in bold letters, PAM TANOWITZ. Taking my seat, I couldn’t help but think of other similarly four-syllabled choreographers: George Bal-an-chine, Jer-o
Perhaps it lies in a name. On a screen near the back of the stage at the Royal Opera House’s Linbury Theatre last Thursday was projected, in bold letters, PAM TANOWITZ. Taking my seat, I couldn’t help but think of other similarly four-syllabled choreographers: George Bal-an-chine, Jer-o